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"Missus Scraff—you know what a fidgety fly-off-the-handle she is, an' how she suffers from the asthma—well, she'd come over an' was stayin' to supper. I sent that Willium out on the back ridge to gather some wild thimble-berries fer dessert. He comes in just as I had the table all set, that wicked old coon he's made a pet of at his heels an' that devil-eyed crow, Croaker, on his shoulder. Afore I could get hold of the broom, he put the covered pail on the table an' went out ag'in. The coon follered him, but that crow jumped right onto the table an' grabbed a piece of cake. I made a dash at him an' he flopped to Missus Scraff's shoulder. She was chewin' a piece of slippery-ellum bark fer her asthma, an' when his claws gripped her shoulder she shrieked an' like to 'a' choked to death on it., With that after a long penetrating look round he went below, leaving Mr Eagle looking as if he was asleep with his eyes open and dreaming. Indeed, Mr Eagle's mind was so shallow that all that he could think of or conceive was simple even to silliness. He resumed his walk to and fro on the quarter-deck, and every time that his face was turned forward his eyes fastened upon Thomas Pledge, who was acting second mate besides being boatswain and carpenter, and who just now was superintending some shipboard business that was going on in the waist., This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..